If you love movie rankings, prestige cinema, or simply arguing with strangers online about which films actually deserve awards, Rolling Stone handed you a fresh piece of ammo.
The magazine released its official list of the 20 best movies of the year, and it’s full of buzzy titles, festival darlings, and at least one film your coworker has been begging you to watch for six months. Movie fans have already started debating the picks, which makes this a perfect moment for anyone googling phrases like best movies 2025, top films of the year, or Rolling Stone list.
Topping the collection is “One Battle After Another”, a film whose title alone feels like a summary of adulthood. Right behind it is “Hamnet”, the Shakespeare-adjacent drama that has been quietly dominating film conversations all season. Also landing in the upper tier are the spy thriller “Black Bag”, the historical drama “Train Dreams”, and the stylish French standout “Nouvelle Vogue”.
What makes Rolling Stone’s list fun is how wide the tonal range is. You get intense dramas like “No Other Choice”, charming indies such as “Sorry, Baby”, and the chaotic delight “Marty Supreme”, which somehow clawed its way into the Top 10. The mid-section includes emotionally charged picks like “Sentimental Value” and the art-house favorite “Peter Hujar’s Day”.
“Eddington” brings the tensions of the pandemic to a violent end, while “Orwell: 2+2=5” offers us a look at the career of “1984” author George Orwell. There are also films with big cultural buzz like “Universal Language”, “Best Wishes for All”, and the intriguingly titled “On Becoming a Guinea Fowl”, which absolutely sounds like something that played to ten-minute standing ovations at Cannes.
The list rounds out with a mix of genre films and heavy hitters: “The Phoenician Scheme”, “Caught by the Tides”, a fresh take on “Frankenstein”, and horror thriller “Weapons”. Even though they sit in the 11 through 20 slots, these movies have all had serious word-of-mouth energy this year.
Lists like this tend to reflect broader trends: more literary adaptations, more international filmmaking in the spotlight, and a whole lot of stories anchored in personal identity and political urgency.
Whether or not your favorites made the cut, Rolling Stone’s lineup shows how varied and experimental modern filmmaking has become. And hey, if you needed a new watchlist, here are 20 solid excuses to ignore your responsibilities for an entire weekend.
My main question is: Where is “Sinners” on this list?
