Jelly Roll Says He’s Quitting the Music Industry?

Jelly Roll is having a moment.

The genre-bending artist just landed features on both Lil Wayne’s and Eminem’s albums in the same year, a feat so big he joked he’s ready to hang it up for good. “I was on Lil Wayne and Eminem’s album in the same year, y’all… I retire. It’s over, y’all. I quit the music business,” he said in a video posted by his wife, Bunnie Xo, on Instagram. “This is my last tour ever. I can’t do anything cooler.”

He’s kidding, of course. But the moment still marks a massive personal victory for the Nashville native who started out in hip-hop and worked his way up through country, rock, and beyond.

Jelly Roll has never been easy to pin down musically, which makes his appearance on Lil Wayne’s newly released Tha Carter VI all the more fitting.

He shows up on the track “Sharks” alongside Big Sean, adding his signature gravelly voice to the mix. The song dropped this past Friday, coinciding with the full album release.

For Jelly, this is more than just a guest feature- it’s a career milestone that speaks volumes about how far he’s come. He was once writing lyrics behind bars. Now he’s on the same albums as rap royalty.

Despite the retirement joke, Jelly’s clearly not slowing down. He’s currently on the road with Post Malone as part of the “Big Ass Stadium Tour,” bringing his soulful catalog to massive crowds across the country.

Social media lit up with fans cheering the crossover success. Many see it as long-overdue recognition for an artist who’s never played by industry rules. Jelly’s blend of vulnerability, grit, and emotional storytelling has resonated far beyond any single genre- now it’s earning him a seat at the table with the very artists who inspired him.

And while he may not actually be retiring, it’s safe to say: Jelly Roll is officially in rare air.

’70s Songs We Love to Hate (And Secretly Still Sing Along To)

The 1970s gave us iconic artists and legendary albums—but not every track has stood the test of time. A lifestyle site called FamilyMinded.com curated a list of the “worst” songs of the decade, with some big names on the chopping block.  These tracks weren’t necessarily flops when they debuted—in fact, many were hits—but they’ve since developed a reputation as cheesy, annoying, or downright baffling.

Here are the 15 songs that made the list:

  1. “Let ‘Em In” – Paul McCartney and Wings (1976)
  2. “Feelings” – Morris Albert (1975)
  3. “Billy Don’t Be a Hero” – Bo Donaldson and the Heywoods (1974)
  4. “Muskrat Love” – Captain and Tennille (1976)
  5. “(You’re) Having My Baby” – Paul Anka (1974)
  6. “Convoy” – C.W. McCall (1975)
  7. “The Morning After” – Maureen McGovern (1973)
  8. “The Streak” – Ray Stevens (1974)
  9. “Seasons in the Sun” – Terry Jacks (1974)
  10. “Sing” – The Carpenters (1973)
  11. “Afternoon Delight” – Starland Vocal Band (1976)
  12. “Lovin’ You” – Minnie Riperton (1974)
  13. “Escape (The Piña Colada Song)” – Rupert Holmes (1979)
  14. “Disco Duck” – Rick Dees and His Cast of Idiots (1976)
  15. “Ben” – Michael Jackson (1972)

For music fans, the list is a mix of guilty pleasures, novelty tracks, and polarizing ballads.  “Muskrat Love” and “Disco Duck” are frequent targets of ridicule, thanks to their odd subject matter and production quirks.  Meanwhile, “Afternoon Delight” and “The Piña Colada Song” have been re-evaluated as kitschy or camp, despite their success at the time.

And it’s not just novelty songs or syrupy ballads that get called out—big-name artists like Paul McCartney and Michael Jackson are also featured, proving that even legends have their misses.

Of course, calling something the “worst” is subjective.  One person’s cringe is another’s nostalgia.  But if you’re building a playlist of infamous ’70s tunes to revisit (or avoid), this list offers a solid place to start.

So whether you’re laughing, groaning, or secretly adding these to your queue, these songs remain part of pop culture—whether we like it or not.

Ultimate Classic Rock Names the 50 Greatest Power Ballads

Ultimate Classic Rock has unveiled its ranking of the 50 Greatest Power Ballads in Rock History, and if you’re already humming synth-heavy melodies and picturing wind machines, you’re probably right on track. The list is a love letter to the genre’s golden era—the 1980s—though a few later entries snuck into the Top 10.

Taking the crown is Prince’s emotional epic “Purple Rain” from 1984. A ballad drenched in guitar solos, gospel vibes, and heartache, it’s a track that transcends genre and generation. Right behind it is Heart’s “Alone” (1987), a vocal powerhouse that helped define power ballads as vehicles for drama and desire.

The top five is rounded out by Guns N’ Roses’ “November Rain” (1991), a stadium-sized slow burn with an equally iconic video; Journey’s eternal karaoke staple “Don’t Stop Believin'” (1981); and Foreigner’s yearning anthem “I Want to Know What Love Is” (1984).

Here’s the complete Top 20:

  1. “Purple Rain” – Prince (1984)
  2. “Alone” – Heart (1987)
  3. “November Rain” – Guns N’ Roses (1991)
  4. “Don’t Stop Believin'” – Journey (1981)
  5. “I Want to Know What Love Is” – Foreigner (1984)
  6. “Home Sweet Home” – Mötley Crüe (1985)
  7. “Dream On” – Aerosmith (1973)
  8. “I’d Do Anything For Love (But I Won’t Do That)” – Meat Loaf (1993)
  9. “Sister Christian” – Night Ranger (1983)
  10. “Heaven” – Bryan Adams (1983)
  11. “Keep on Loving You” – REO Speedwagon (1980)
  12. “Faithfully” – Journey (1983)
  13. “Broken Wings” – Mr. Mister (1985)
  14. “Heaven” – Warrant (1989)
  15. “Total Eclipse of the Heart” – Bonnie Tyler (1983)
  16. “More Than a Feeling” – Boston (1976)
  17. “Open Arms” – Journey (1981)
  18. “Against All Odds” – Phil Collins (1984)
  19. “Every Rose Has Its Thorn” – Poison (1988)
  20. “Wind of Change” – Scorpions (1990)

While power ballads saw their peak in the late ’80s and early ’90s, their influence lingers. These songs were the emotional reset buttons on hard rock albums, often becoming the biggest hits for bands otherwise known for distortion and swagger.

For a full list of all 50 songs—including the stories behind them—you can visit UltimateClassicRock.com. Just be prepared to fall down a nostalgia rabbit hole of teased hair, power chords, and slow-motion lighters in the air.

Gibson Launches Epic Search for ‘Back to the Future’ Guitar, Missing Since 1985

It’s one of the most memorable musical moments in movie history: Marty McFly, played by Michael J. Fox, ripping through “Johnny B. Goode” at the Enchantment Under the Sea dance in “Back to the Future”. But the real star of that scene—the cherry red Gibson ES-345—has been missing for nearly 40 years. Now, Gibson is officially trying to get it back.

The guitar manufacturer has launched a public appeal to locate the missing instrument, believed to have vanished shortly after filming wrapped in 1985. A “Have You Seen This Guitar?” poster has been released, and even the film’s stars, including Fox himself, appear in a new video calling for its return.

The ES-345 was originally rented from Norman’s Rare Guitars in Los Angeles specifically for the shoot. It was reportedly returned afterward, but somewhere between then and now, the trail went cold.

Gibson suspects the guitar may have been quietly sold at some point, without documentation—meaning it could be sitting in someone’s home, unrecognized for the cinematic treasure it is.

Adding to the guitar’s mystique is its historical inaccuracy. The scene it appears in is set in 1955, but the model used was likely from 1960 or 1961. That anachronism didn’t stop the guitar from achieving cult status, and its absence has only added to the lore.

The renewed effort to track it down comes at a fitting time: 2025 marks the 40th anniversary of “Back to the Future”.

For fans, it’s a nostalgic milestone—and for Gibson, a chance to reunite an icon with its rightful place in movie history.

If someone unknowingly owns the guitar, they could be holding a piece of Hollywood history. Gibson hasn’t said what might happen if it turns up, but if social media buzz is any indication, the pressure—and incentive—to come forward is mounting.

As McFly said: “I guess you guys aren’t ready for that yet. But your kids are gonna love it.” Turns out, four decades later, we’re more than ready.

Taylor Swift’s Original Albums Surge on Spotify After She Reclaims Her Masters

The “Taylor’s Version” Era is OVER. Taylor Swift has officially reclaimed ownership of her entire music catalog—and the response from fans may surprise you.

Following the announcement that she now owns the master recordings for her first six albums, streams of the original versions—not the “Taylor’s Version” re-recordings—spiked dramatically on Spotify. According to The Hollywood Reporter, there was a 40% increase in overall streams, and in some cases, the numbers skyrocketed far higher.

Here’s a breakdown of the surge in original album streams:

  • “Speak Now”: ↑ 430%
  • “Taylor Swift” (debut): ↑ 220%
  • “Reputation”: ↑ 175%
  • “Fearless”: ↑ 160%
  • “Red”: ↑ 150%
  • “1989”: ↑ 110%

For context, “Reputation” and her self-titled debut are the only two albums that haven’t been re-recorded, which likely contributed to their sharp gains. But the jump across the board raises an interesting question:

Now that Swift owns the originals, is there still a reason to listen to the “Taylor’s Version” albums?

The re-recordings were originally released as a way for Swift to regain control of her music after a dispute with her former label, Big Machine Records, and its new owner Scooter Braun. Swift’s fans embraced the project not only out of loyalty but also as a way to direct royalties back to her rather than the previous rights holders.

With Swift now holding the masters to both versions, that original incentive is gone. And the streaming data suggests a shift—fans may now be returning to the nostalgic versions they grew up with, the ones that originally soundtracked their breakups, car rides, and late-night dance parties.

Still, “Taylor’s Version” releases aren’t just copies. They have re-recorded vocals, subtle production tweaks, and “From the Vault” tracks that offer new material. But now that Swift has nullified the ethical dilemma by owning it all, listeners are increasingly free to choose based on sound and sentiment rather than principle.

James Blunt Reveals the Meaning Behind You’re Beautiful After 20 Years

For two decades, James Blunt’s 2005 hit You’re Beautiful” has been widely misunderstood. Many listeners embraced it as a romantic ballad—an ode to lost love and aching hearts.  But on the song’s 20th anniversary, Blunt set the record straight: It’s not a love song at all. It’s about drugs and stalking.

Blunt marked the milestone with a cheeky, candid message on X. “Twenty years ago today, I released a song that bought me this house,” he wrote.

“Whoever thought a song about being high as a kite on drugs, stalking someone else’s girlfriend, would resonate quite so much? Thank you. You guys are beautiful.”

This revelation may not come as a total shock to fans who’ve listened closely. The lyrics tell the story of a man who spots a woman on the subway, feels an instant but unreciprocated connection, and ultimately admits, “She’s with another man.” That moment—combined with lines about an “angel” smiling at him—has always walked a fine line between romantic yearning and unsettling fixation. Blunt’s latest comments suggest it leaned harder into the latter.

In fact, Blunt has occasionally acknowledged the song’s darker undertones in past interviews, but the 20th anniversary post was perhaps his most direct commentary yet.

“You’re Beautiful” was a breakout hit that propelled Blunt to global fame, topping charts in the UK, US, and beyond. It also helped define the mid-2000s era of earnest, acoustic-driven pop.

But its staying power may have less to do with its perceived romance and more to do with its simplicity—and now, apparently, its creep factor.

He’s also been refreshingly blunt (pun intended) about his career and public image, often poking fun at his reputation as the man behind one of pop’s most overplayed ballads.

As anniversary retrospectives go, this one is less about nostalgia and more about recalibration. It’s a reminder that not every song with a soft melody and wistful gaze is about love. Sometimes, it’s just about a guy who got way too high and made a bad decision on public transportation.

Final Curtain Calls (Almost): Rock Stars Who Nearly Died Mid-Show

The stage is often where rock stars come to life—but for a few, it’s also where they came dangerously close to losing it.

From pyrotechnic mishaps to nearly fatal props, these are ten musicians who narrowly survived incidents during live performances. Some are known for pushing boundaries. Others were caught off guard by illness or sheer bad luck. But all of them have one thing in common: they lived to tell the tale.

1. Alice Cooper’s Guillotine Gone Wrong

Known for his theatrical “shock rock” shows, Alice Cooper has staged his own execution more times than anyone can count. But during one performance, the fake guillotine he used as a stage prop malfunctioned and nearly sliced his neck for real. Cooper has also had close calls with hanging stunts that didn’t go as planned. Despite decades of flirtation with death for showmanship, one slip nearly made it real.

2. Geezer Butler’s Hallucinating Set

In 1995, Black Sabbath bassist Geezer Butler was on a solo tour when he was struck with extreme food poisoning. He was so weak he had to lean against the amps to stay upright onstage. At one point, he began hallucinating mid-performance and was rushed to the hospital. The remainder of the tour was canceled.

3. James Hetfield Burned by Pyro

During Metallica’s 1992 co-headlining tour with Guns N’ Roses, frontman James Hetfield misjudged his position onstage during a pyro cue and walked into a 12-foot flame. He suffered second- and third-degree burns on his arm, hand, and face. Bandmates said if he had been just a few inches closer, it could have been fatal.

4. Bill Berry’s Aneurysm Onstage

During a 1995 show in Switzerland, R.E.M. drummer Bill Berry collapsed mid-performance after suffering a brain aneurysm. He later described the sensation as feeling like he’d been struck in the head with a bowling ball. Berry survived the rupture and returned to perform, but the incident changed his outlook on life—and his career. He ultimately left the band two years later in 1997.

5. Keith Richards’ Electric Wake-Up Call

The phrase “Keith Richards is indestructible” may have roots in a near-fatal encounter back in 1965. During a concert, the Rolling Stones guitarist was knocked unconscious when he touched an ungrounded microphone with his guitar. The resulting shock threw him backward and left him semi-conscious. Bandmates and fans feared the worst—but Richards, of course, bounced back. Just another day in the life of rock’s most persistent survivor.

6. Thom Yorke’s Close Call with a Poolside Mic

At an MTV “Beach House” event in 1993, Radiohead frontman Thom Yorke added an impromptu swim to his set, leaping into the pool mid-song. When he climbed out and tried to continue singing, a stagehand stopped him just in time—kicking the mic away before Yorke could grab it with soaking wet hands. One misstep could have turned a quirky performance into a fatal accident.

7. Ace Frehley Nearly Zapped by the Stairwell

During a KISS concert in 1976, guitarist Ace Frehley became part of an unintended circuit. As he reached for a metal handrail while holding his guitar, he suddenly found himself being shocked by a powerful electrical current. He credits his quick reaction—managing to release his grip—with saving his life. Frehley later wrote a song about the incident called “Shock Me.”

8. Frank Zappa’s 15-Foot Fall

Frank Zappa’s 1971 show at London’s Rainbow Theatre ended in disaster when an enraged fan rushed the stage and shoved him into the orchestra pit. Zappa plummeted 15 feet onto a concrete floor, suffering a crushed larynx, multiple fractures, and head trauma. He spent months in a wheelchair and his voice was permanently altered. The attacker reportedly acted out of jealousy—his girlfriend was a big Zappa fan.

9. Krist Novoselic and the Rogue Bass

The 1992 MTV Video Music Awards ended with a thud—literally—for Nirvana bassist Krist Novoselic. After the band finished their performance of “Lithium,” Krist tossed his bass high into the air in celebration. But the guitar came back down… directly onto his head. He staggered offstage with a gash and a concussion, earning one of the more painful live TV bloopers in rock history.

10. Patti Smith’s Neck-Breaking Fall

During a concert in Tampa in 1977, punk icon Patti Smith slipped off the edge of the stage and plummeted into the orchestra pit below. She suffered a fractured vertebra in her neck and required extensive physical therapy to recover. The fall sidelined her for months, but she eventually returned—resilient as ever.

Joey Fatone Shut Down *NSYNC Reunion Rumors

Sorry, ’90s pop fans—those hopes for an *NSYNC reunion?  They’re on hold, indefinitely.

Joey Fatone has set the record straight: there’s no reunion happening anytime soon, or even in the planning stages.  Despite the buzz and nostalgic hype that swirls around the group every time two or more members appear in public together, Fatone says they haven’t had that conversation yet.

“The five of us need to get together, and that day has not happened yet,” Fatone recently told People magazine.  “Everybody’s everywhere in the world, and I think it’s more important to get everybody in-person as opposed to just getting on a chat or on a phone call.”

And no, it’s not a matter of drama or bad blood—just life.

“People always think, ‘Oh, it’s easy.  Just get on the phone and talk,'” Fatone said.

“There’s a lot of things that have to become fortuitous for that, a lot of commitment, a lot of time. Everybody has families.  Most people have kids, so then you have to take that into consideration.”

The band famously reunited for the 2023 VMAs, briefly reigniting rumors of a full tour or album. And while that one-off appearance had fans buzzing—and speculating—a larger-scale comeback has never materialized.

Fatone’s comments make it clear: even the talk of a reunion hasn’t happened. 

The news may be disappointing for longtime fans still clinging to the dream of hearing “Bye Bye Bye” live once more, but Fatone’s update reflects the reality of trying to align the lives of five busy men who’ve all moved in different directions.

Justin Timberlake, arguably the most high-profile member of the group, has kept busy with solo music, acting roles, and his own family life.  Chris Kirkpatrick, Lance Bass, and JC Chasez have also carved out their own paths—some in the spotlight, some behind the scenes. And Fatone himself has stayed active in TV and entertainment projects.

For now, fans will have to settle for nostalgia playlists—and hope that one day, the stars (and schedules) might align.

Miley Cyrus Got an Infection from the Hollywood Walk of Fame

Miley Cyrus has never shied away from making bold artistic choices, but she may have pushed things a bit too far.  While filming a video for a new song called “Walk of Fame”, Cyrus ended up in the ICU with a severe infection that developed after she rolled around on the Hollywood Walk of Fame.

In a recent interview, the pop star revealed that she shot the video in October and began feeling the effects not long after.  By Thanksgiving, things had taken a turn: “I was put in the ICU for a moment,” she said.

“My leg began to disintegrate in some way around the kneecap area.”

That shocking description wasn’t hyperbole.  Cyrus shared that a surgeon who examined her reacted with a simple, brutal response: “Yuck.”  She added, “They open up cadavers, they see inside the guts of humans, and they’re looking at me, telling me I’m disgusting.”

While the source of the bacteria wasn’t confirmed, it’s not hard to draw conclusions given the location.  The Hollywood Walk of Fame is a major tourist destination.  And it’s a whole street of yuck.

So next time you visit, don’t roll around on the ground.

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